A heavily edited "R-rated" version of "Dawn of the Dead" (with more than 50 cuts) was released in 1982 to be put in a drive-in double-bill with Romero's Creepshow (1982). They're all just great zombie movies, something anywhere from 9 to 20 minutes' worth of different footage and music can't change. Home of the "The Kill Count" (The Kill Count videos will be posted every Friday on the subreddit, when they are posted, the comment section will be the Official Discussion Thread)! The aforementioned monoaural track is the only option available for the Cannes Extended cut, and it sounds fantastic. I assume it's because so many of the differences are so minor (despite the roughly 10 minute difference in runtime, the dock sequence only accounts for about 2 of those and that's the most prominent thing), but considering how anal people get when comparing to Argento (a sample line from one such comparison is "The helicopter's approach is longer," noting a .8 second difference), I'm quite surprised no one has done the legwork for these two versions. (126min) Then there is Dario Argento's cut which is referred to as the Italian or European version. Brian, aka BC, has been watching horror movies since the age of 6, and twenty years later decided to put it to good use, both as a writer for Bloody-Disgusting as well as launching his own site, Horror Movie A Day, which Roger Ebert once read and misunderstood the points that were being made. **Argento's version puts the credits over black instead of … George A. Romero's Dawn of the Dead was as important to propelling forward the zombie sub-genre, and horror cinema as a whole, as Night of the Living Dead. Comparison Alternate Cut Regular Version. Add in the censored versions, and discrepancies over the runtimes themselves due to NTSC vs PAL conversions, and you have what may be the movie with the most different versions in existence, to the point where you might have no idea what you're watching if you're lucky enough to see it on film (or watching a bootleg DVD, which means you're a monster). Hi there, this cut was done with a professional cutter by the german company red label! (139min) I quite like the dock scene; the original antagonistic nature of it makes Roger's advice to them (still present in the theatrical) more resonant - he's a good guy, even to the dudes who were planning to rob his friends. macwillich. Interestingly, it seems no one online has compiled a definitive list of the differences between the theatrical and extended versions; it's pretty easy to find one that compares (either version) to Argento's, but after searching for a while I couldn't turn up anything exhaustive. Dawn of the Dead, the 1978 classic version directed by the late George Romero, is getting a 4K Blu-ray release on October 26th.Both a 4K version and a regular Blu-ray will be available. The dead rise again to roam 4K home theaters with a great trio of DTS-HD Master Audio soundtrack for Romero's theatrical version and Argento's European cut: a 1.0 mono track, a 2.0 stereo option and a 5.1 upmix. As if to acknowledge that this version is merely a curiosity in the Dawn experience, Anchor Bay chose not to include multiple audio options as with the other two edits. THE GENIUS OF MULHOLLAND DRIVE, Where’s Your God Now: Best Pictures Of Bears Killing Kids In The Bible, Collins’ Crypt: Diving Into The World Of Al Adamson, Collins’ Crypt: Who You Gonna Read? The Cannes cut is presented only in its original mono. With the images of zombies swaying comically to muzak, the film is often referred to as an allegory about consumer culture, but its early sequences, as a police force open indiscriminate fire on residents of a housing project, digs even deeper. This version was rushed into shape for a showing at Cannes in 1978, and is the first completed version of ... Fonts and location of the end credits of the Dario Argento cut are different from the UE. Press J to jump to the feed. Dawn of the Dead is a 2004 American action horror film directed by Zack Snyder and written by James Gunn.It is the remake of George A. Romero's 1978 film, and stars Sarah Polley, Ving Rhames, Jake Weber, and Mekhi Phifer. It is superior in quality to the “Extended Mall Hours” cut and is most likely the nearest any fan is ever going to get to seeing Romero’s initial edit of the film. Apr 11, 2021 13:34 ... Children Shouldn't Play with Dead Things. And absolutely no one in the world will defend the US ending of The Descent over the UK one (and if that person exists, they'll be mocked incessantly). Besides, the guy didn't even mention Argento's version. 9,301 1,083 4. My Twitter query resulted in someone saying they prefer "the ambiguous ending of the original version to the bleakness of the director's cut." There’s really nothing in it between the two, and all but the most eagle-eyed will fail to spot the joins. 6 4. Good idea. I'm just wondering if James will cover these in a future Cut Comparison and how the comparison process will work - if he looks at all three simultaneously or just separately compares both alternate versions to the theatrical cut. Report Save. Don't pay eBay prices! The version that I watched that morning in 1994 was the 127 minute one, which was pretty much the only one you could readily get in the US at that time. Dawn of the Dead (1978) [4K/Cannes Cut] - SpookyFlix. Dawn of the Dead was shot using Arriflex 2C and 35 BL I cameras on 35mm film. Comparison Theatrical / International Version Final Cut. After the huge success of its lavish Limited Edition box sets released in Autumn 2020, the dead are preparing to walk the earth once more as Second Sight announces the release of the definitive restored versions of George A Romero's zombie classic Dawn Of The Dead in standard editions on 22 March 2021.. Theatrical Cut The source for the Theatrical Cut presentation has used the original camera negative, getting a fresh new 4K scan and restoration by Second Sight and Final Frame New York & London, supervised and approved by DoP Michael Gornick, producing a new 4K DI. Making things more complicated is the existence of the 119-minute European cut, which was edited together by Italian horror icon Dario Argento, who produced the film. Directed by George A. Romero. It's a very clean and crisp track, but it's still only mono. But for the purposes of this article, I only recognize the three official releases, the ones contained on Anchor Bay's definitive 4 disc set from 2004: the Argento cut, the director's cut, and the original theatrical version. Apr 06, 2021 21:31 . The easiest way to tell which one you're watching (or at least, which version it once was before it may have been re-edited by someone) is to use the music as a guide. I would rather Aliens 3 cut since I know there are different kills between them. Ninja the Protector. Apr 11, 2021 22:39 . (and GHOSTBUSTERS II). A decade later, Romero released Dawn of the Dead, which turns 40 this year. The Beeb must have shown what was known as the extended ‘Cannes cut’ which was also mistakenly marketed as the director’s cut on home video but it doesn’t appear to be as simple as that – there are same versions but with different title cards, slightly different edits, longer cuts, shorter cuts, so many different versions and even so many different releases! It's pretty common to see images on the internet that compare Dawn to a shot of a Black Friday shopping mob, so that I saw it for the first time on the eve of the "holiday" without an awareness of the connection is just amazing. For those who don't know, Dawn has three official cuts available on home video: The US Theatrical Cut (127 mins) which was George Romero's preferred cut. Comparison UK Version Uncut. team members, a traffic reporter, and his television executive … So there's no "right" version, no Lucas/Cameron-style revisionist thinking behind any edits - they're all the official one, and thus no matter which one you like, you can't really fault someone for liking another one better. But there are other bits of dialogue and lax edits that admittedly slow the film down; even the theatrical version can be a bit draggy at times, and that problem is exacerbated here. It'd be like if you wanted to kill time on Christmas Eve and opted to watch a Bruce Willis action movie called Die Hard that you didn't know anything about. The first is the Johnstown (redneck hunters) sequence, which plays out more or less exactly the same but with one crucial difference - Argento inexplicably cut out Stephen's line that sets the whole thing up. But twice I've queried folks on Twitter about Dawn's various versions and while there are obviously some who prefer one over the other, it's a) pretty evenly split and b) doesn't really get anyone worked up when they see someone defending one over their personal favorite. So it's simply not as interesting a comparison, either. Getting together in bars and comic shops isn't happening - can technology come to the rescue? For those who don't know, Dawn has three official cuts available on home video: The US Theatrical Cut (127 mins) which was George Romero's preferred cut. Last year I revived an old tradition: watching the original Dawn of the Dead on Thanksgiving morning (the night continues to belong to End of Days). What IS interesting is that no one will really get angry if you prefer one over the other, like fans of other genre films tend to. But I suspect part of the problem is that it's a lot easier to discern Argento's from the other two, and with those versions having their own random cuts (like the aforementioned Anchor Bay mixup), it might just be too difficult a task, as you might be working from a "rogue" version in the first place. More posts from the deadmeatjames community. (116min) Then there is the Extended Version which was shown at the Cannes Film Festival in 1978. Really wishing I hadn't bought the ZOMBI-only UHD (it has the other cuts on Blu-ray, but only the Argento cut on UHD), which looks FINE to me, but will obviously see an improvement with the above release. Director Zack Snyder burst onto the scene with his remake of the beloved and much respected Dawn of the Dead in 2004 that carried the same name as the George A. Romero classic. ... the US theatrical and the Cannes cut just don't add anything. The Extended (‘Cannes’) Cut utilizes a mix of the Theatrical Cut 4K scan, alongside a 4K scan of the Extended Cut Colour Reversal Internegative for the additional footage. Also re-released with the DVD set was Roy Frumkes' Document of the Dead, … One's longer, that's about it. Worse is the later sequence where Roger and Peter place trucks in front of the mall doors - Argento cuts out the first, successful trip, opting to start with the one where everything goes wrong. The satirical elements were lost on me at a young age, but once I got older and realized the sort of thing Romero was making fun of, I was actually pretty delighted at how perfect the timing was. Comparison BBFC 18 VHS Uncut. This is presented in 1080p, at a ratio of 1:85:1 and runs 155 minutes. Unrated Director’s Cut (109 min.) I wouldn't know about any alternate versions until later in the decade, when Anchor Bay put out a double VHS tape that contained the theatrical version and the longer (139 min) "director's cut. 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