Text of the Poem Text Size. 27 V. Medallion 28. The whole experience is presented dramatically through the character of a fictitious poet, Hugh Selwyn persona with the poet. Hugh Selwyn Mauberly / (Mauberley) (Mauberley) I. URNED from the “eau-forte Par Jaquemart” To the strait head 5 Of Messalina: “His true Penelope Was Flaubert”, And his tool The engraver’s 10 Firmness, Not the full smile, His art, but an art In profile; Colourless 15 Pier Francesca, Pisanello lacking the skill To forge Achaia. A hook to catch the Lady Jane’s attention, “Which the highest cultures have nourished”. In Hugh Selwyn Mauberley, however, Pound is not simply like Verog “engaged in perfecting the catalogue” of western culture’s “broken statues.” Where in line 130 of this section, tissue is only “preserved”, the poet goes beyond performing the “autopsy” of a dead culture or wallowing in nostalgia: he is also eager to meet the demands placed on the artist by his own time. It has been considered as a turning point in Pound's career, and its completion was quickly followed by his departure from England. EMBED. 20 ENVOI 1919 PartII. H. S. Mauberley (LIFE AND CONTACTS) Transcriber's note: Ezra Pound’s Hugh Selwyn Mauberley contains accents, diphthongs and Greek characters. E. P. ODE POUR L’ÉLECTION DE SON SÉPULCHRE For three years, out of key with his time, He strove to resuscitate the dead art. E. P. is callow and immature, a follower, a hanger-on to the literary scene of early 1900s London. Reading Mode. H.S.Mauberley (LIFEANDCONTACTS) CONTENTS PartI. He was an early champion of a number of avant-garde and modernist poets; developed important channels of intellectual and aesthetic exchange between the... For three years, out of key with his time. Column Width. EMBED (for wordpress.com hosted blogs and archive.org item
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