As a triad, the ♭VII chord is only one note different from the major key's diminished viiº chord: B♭ (B♭-D-F) versus Bº (B-D-F). The Ab Major 7 chord is most commonly played with the root note on the 4th fret of the 6th string (see the first shape below). The note B flat is raised by a semitone to become a B natural. For the major chords, the numerals are capitalized, while the minor and diminished chords are all in lower case. Just like in this example: The dominant is symbolized with a Roman numeral V for a MAJOR … If we’re in C minor, the extract finishes on the dominant chord (G major). Major and Minor In the Common Chord Substitution section of the Harmonizer the one chord (I) of the major scale is found at the top of the column of chord roots. The b13 resolves up to the 3rd and down to the 9th: The key of A major is the only key where a Neapolitan sixth chord on ^ requires both a flat and a natural accidental. Therefore, the dominant chord leads us back to the tonic, or to home. The first phrase ends in bar 4 on C minor again and it’s preceded by the chord G (its dominant). Dominant of A flat major The four note chords are A major seventh, B minor seventh, C# minor seventh, D major seventh, E dominant seventh, F# minor seventh, and G# minor seventh flat five. All of these chords make use of the notes in the Eb major scale only. The ♭VII chord, being a major triad or dominant 7th chord, is a simpler-sounding chord and fills this harmonic gap in the key. Roman numerals are used to represent each chord. Sub-dominant of A flat major. This is exactly what we’d expect if we were in C minor – the 7th note raised. The dominant leads us back to home. D flat. These 3 harmonic approaches to the dominant chord all imply the same V7#11 sound, with different approaches: Melodic minor from the 5th; Major 7 #5 from the 7th; Major triad from the 2nd; Depending on your language and technique each will produce different possibilities. This chord is derived from the major key as appearing in the key designator of the Major and Natural Minor Scales section. A four-note dominant chord will be written V7. When you add sevenths the chords are Ab major seventh, Bb minor seventh, C minor seventh, Db major seventh, Eb dominant seventh, F minor seventh, G minor seventh flat five. Luckily, this chord crops up in a lot of musical styles that lean towards improv: blues, jazz and funk are all heavy on Dom 7 chords. Ab is the tonic of the A-flat major scale: 2: Bb is the supertonic of the A-flat major scale: 3: C is the mediant of the A-flat major scale: 4: Db is the subdominant of the A-flat major scale: 5: Eb is the dominant of the A-flat major scale: 6: F is the submediant of the A-flat major scale: 7: G is the leading tone of the A-flat major scale: 8 It almost begs us to return back home. 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